Interactivity In Art Essay -- Art Design Artistic Essays

Interactivity In Art AbstractThis essay exa exploits the temperament of interactivity in the arts through a cybernetic model, to arrive at an understanding of how interactive art deeds can obligate and augment the subjectivity of the viewer. The cybernetic discourse foregrounds the relationship between the physical artifact (machine and/or work of art), the participant/spectator, and information/data/content. By examining the shifts in focus from all(prenominal) part of the cybernetic equation, several models for interactivity in art emerge. In a search for a definitive and user-centered working model of interactivity in the arts, a logical place to look is at the history of cybernetics. Cybernetics, defined by Norbert Wiener in Cybernetics or Control and Communication in the living creature and the Machine as the entire field of control or intercourse theory, whether in the machine or in the animal (Wiener 11) contains a take of pointers to a useful model of intera ctivity. The origin of the term cybernetics from the Greek, subject matter to head, implies a reciprocal relationship between external forces, the machine, and the human to maintain a condition of homeostatic. In a work of interactive art, as in Wieners description of a bee-hive, the secret of its organised action lies in the intercommunication of its members (156). A second fertile site to mine for understanding the nature of interaction in the arts is the traditions and conventions of the art objective lens itself at how the art object is thought to project feeling and meaning , to change across time and culture, and to involve the viewer, temporality, and artist in a dynamic interchange within an aesthetic dimension. Toward these ends, I will lot two questions... ...n, 1999) Susanne K. Langer, Mind, an Essay on Human Feeling, John Hopkins University Press, (London, 1982) John C. Lilly, M.D., scheduling and Metaprogramming in the Human Biocomputer, Julian Press Inc, Cro wn Publishing Group, (New York, 1969) Lev Manovich, The verbiage of New Media, MIT Press, Leonardo Books, (Cambridge, 2001) __ On Totalitarian Interactivity (notes from the enemy of the people,http//www.manovich.net/text/totalitarian.html, 1996. Heinz von Forester, molecular(a) Ethnology An immodest proposal for Semantic Clarification, Observing Systems, 2nd Edition,, Intersystems Publications, (Salinas California 1984) Humberto Maturana and Francisco Varela, Autopoesis and information The Realization of the Living (Dordrecht D. Reidel 1980). Perry Hoberman, Faradays Garden, http//www.hoberman.com/perry/pages/faraday/list.html